Whitsundays Art Prize Exhibition
Finalist Gallery
Congratulations to the finalists in the 2022 Whitsundays Art Prize Exhibition.
The Exhibition takes place in the Elbow Room at the Coral Sea Resort, 23 - 30 September, with 70 works from 63 Australian artists working in 2D and 3D mediums.
Art prize winners will be announced at the opening night and award ceremony on Friday 23 September at 6:30pm, which the public is invited to attend. Finalist works will be for sale from 7pm on 23 September, please contact us if you have any queries.
The public is also welcome to join Judge Tracy Cooper-Lavery who will conduct a 'floor walk' to discuss the winning entries at 10am on Saturday 24 September in the gallery.
Visit the Exhibition Page for opening hours and details.
A warm thank you to all of our supporters, sponsors and participants in the 2022 Whitsundays Arts Prize, which is presented as part of the Whitsundays Arts Festival.
“Boat on sunlit sea”
Medium: Oil on aluminum panel
Size: 30 x 18 cm
Artist’s Statement:
A small alla-prima painting, winter sunlight and a quiet boat alone on water. The painting was an observation of the way a low sun catches the water in dazzling glitter, with the solitude of the boat appealed to me as an evocative focus.
“Sisters”
Medium: Framed acrylic on canvas
Size: Height 66cm x Width 97cm x Depth 5cm
Artist’s Statement:
Memories from youth to old age thread around our whole lives. Ribbons of joy, goodwill, kindness, love,secrets and sometimes the tangled mess we find ourselves in. It's love on a spectrum, the bright and the shadow. Ribbons that tie our memories from different perspectives.
“The Layering of My Life”
Medium: Acrylic, gesso, on canvas
Size: 103.6 cm (h) x 78.2 cm (w) x 5 cm (d)
Artist’s Statement:
This painting is a layer upon layer, creating a story form the memories that only hold special memory to me. The birth of my babies, the loss and love of my grandparents, the embrace of my mother, when I fell in love -real love, the first time my heart was broken, the choices, the chances and the 'just do it and don't look back's'.
With every stroke there was smiles and tears, laughter and pain all rolled into together. Each mark represents a moment in my life; Each row a story from my past; Each layer a new beginning.
This is the layering of my life. An abstract reflection of the moments that are my life.
“Gumoy (spawning of the reef)”
Medium: Acrylic on canvas
Size: 100cmx55cmx1cm
Artist’s Statement:
My great grandfather, grandfather, and father were all great hunters that provided for their families. Daily hunting for Kangaroos, emus, bandy-coots, crocodiles, goannas, snakes, and seasonal bush fruits.
My memory of my father passing down hunting knowledge of how to catch fish out on the reef at night. He told me the best way to do that was to hunt during the darkest night, pitch black. But out on the reef with the movements of the animal, it illuminates setting off lights everywhere, making it much easier to see and catch the animals.
“Emerald Shore”
Medium: Acrylic on canvas, framed
Size: W 45 x 45cm, H 45 x 45cm, D 4cm (including frame)
Artist’s Statement:
'Emerald Shore' is inspired by childhood memories of playing all day at the beach, swimming in the sea, exploring the rocks and looking for mudskippers in the mangroves.
“Impermanence”
Medium: Oil on canvas
Size: 90cmx90cmx5cm
Artist’s Statement:
Impermanence is about shifting times where vague concepts of self and experience are illusively projected onto half remembered realities.
“Nostalgia”
Medium: Stained Glass
Size: Height 46 cm x 99cm length x 3cm depth (frame) , 7 kg
Artist’s Statement
I remember looking out my Nana's old lead light windows in the morning and seeing the sunrise when I stayed there as a kid,
Remember ... the old records ,the good music, the good times, the good friends.
Remember... being told there was a man in the moon, looking for shooting stars and comets, and wishing on the brightest star.
Nostalgia
“Remember Whens and Keepsakes”
Medium: Oil on Canvas
Size: Height: 121.5cm x Width: 91.3cm x Depth: 3.7cm
Artist’s Statement:
Vanessa Cochrane is a contemporary artist from Moranbah. Her work is photorealistic, painted with meticulous details and uncannily accuracy.
Her goal is to inspire those who see her work to look more carefully at the world around them, to discover beauty in unusual places.
This artwork is a depiction of 'the bar fridge'... the silent sentinel, custodian of remember whens and keepsakes. Its face is covered with a collection of tiny glorious moments frozen in time, that remind us of good times.
And on top, 'the stereo', capable of making a grown man cry with the tunes that make him reminisce and feel emotion.
The stereo is surrounded by 'keepsakes' and 'thingamajigs' put there because you always know where they are.
“Depth of the Shallows”
Medium: Charcoal, soft pastel on paper
Size: H 60cm x W 90cm x D 3cm Framed
Artist’s Statement:
Leisa Cook uses multiple charcoal mediums experimenting with textures and highlights of soft pastels to create 'Depth of the Shallows'.
This artwork gives a different perspective that our environment can teach us how to manage our ever changing lives if we look closely enough.
The intertwining boldness of the mature mangrove roots signifies our deepest, most treasured memories while the vibrant green growth of the mangrove seedling commands your attention and reminds you to keep moving,learning and expanding on your goals to accomplish where you want to be in life. With each tide brings with it a chance to wash away all the negatives to help new growth, make new memories and ofcourse bring new encounters, possibilities and hope.
“February”
Medium: Colour pencil
Size: 85cm x 105cm x 4cm
Artist’s Statement:
My New Year's resolution lead to a decision to make my memorable moments more positive. To do this I chose to focus on the wonderful things in life. These are my daily February memories of the special, fun or sometime sad experiences. I chose to relish beautiful moments like sunsets, celebrations, movies, creating art and teaching. I decided that even small things like finding my son's baby shoe and seeing beautiful butterflies were magic. These are my sweet memories.
“Home at Last”
Medium: Acrylic on canvas
Size: 51 x 61 x 3.5 cm
Artist’s Statement:
My work examines Queensland's heritage, featuring historical buildings and artefacts which still exist today in our community. The artworks explore the inherent feelings embedded in these relics which connect us to another time and pose questions about their former owners or inhabitants. I am interested in portraying life in our historical remnants and using it to evoke stories and memories from the viewer.
Home at Last depicts heritage-listed Maye's Cottage in Logan - a little piece of the past surrounded by the sprawl of modern suburbia.
“Hard Day's Work”
Medium: Watercolour on paper
Size: 48 x 48 x 2 cm
Artist’s Statement:
My work investigates the role of heritage and nostalgia in our future-focused society. My paintings feature Queensland's historical architecture and artefacts which still exist today in our community. The artworks explore the inherent feelings embedded in these relics, which connect us to another time and pose questions about their former owners or inhabitants.
This painting depicts the North Ipswich Railway Workshops, a heritage site near my home which was the birthplace of rail in Queensland and is now a museum. An architecturally significant place, it emanates the acute feel of heavy industry, lost trades and hard work.
“Shoal Beach at Dusk”
Medium: Pastel Painting on Paper
Size: 44cm x 50cm x 2cm
Artist’s Statement:
During the Covid lockdown period our regular walking spots got extremely busy. To better isolate from others yet stay walking we started doing discovery walks. This included local wetlands, parks at the back of suburbs and quieter beaches. The photo taken for this was on one of those walks. It reminds me of the positives of a difficult time.
I can feel the setting sun on me, feel myself stepping around the old roots of the long dead mangroves, hearing and watching the intersection of the wading birds and forest birds and the sounds of the ocean.
“Ignite The Flame”
Medium: Mixed Media on Fabric
Size: 81cm x 100cm x 5cm
Artist’s Statement:
This textile artwork is centred on the iconic Illawarra Flame Tree. These ancient trees have a distinct Australian history. The inner bark was used by Aboriginal Australians for making fishing nets and the large seeds were a food resource, rich in protein. The tree is found along the east coast of Australia and many are scattered around our locality in their natural bush setting. When they are flowering, they are very eye-catching. They remain leafless when in flower but as their leaves form there is a mass of green. The flame trees are very colourful and when I see them I also think of the iconic song from Australian band, Cold Chisel aptly named “Flame Trees”. It resounds in my memory.
“Fog”
Medum: Ceramic, resin, carpet
Size: 37cm x 45cm x 29cm 2.2kg
Artist’s Statement:
It can be difficult to get up from under the fog of a depression that has no trouble recalling bad memories while the happy ones remain elusive.
This work results from an ongoing experimental technique that transforms an item of clothing into a solid clay form. The burning away of the fibre leaves a delicate hollow structure that alludes to the emptiness felt during depression. Memories are so powerful they can turn a seemingly strong person into a fragile shell.
“4711”
Medium: Glazed ceramic, carpet
Size: 38cm x 44cm x 25cm 8kg
Artist’s Statement:
Something that once brought comfort by its warmth and softness is now cold, stoney, and frozen in time. Your smell still lingers, and your voice echoes in the emptiness. Memories are all that remain.
This work results from an ongoing experimental technique that transforms an item of clothing into a solid clay form. The burning away of the fibre leaves a delicate hollow structure that alludes to the emptiness felt by grief and loss, the clay forming a memory of the fabric that is no longer there.
“Amazoniamind”
Medium: Canson Watercolor Paper 300 gsm Hot press
Size: 87cm x 62cm
Artist’s Statement:
Even if Australia had become my second home, I miss certain features of my homeland.
My name is Sofia Fortunato, also known as Sofi Fortunato. I grew up in Venezuela, and Australia is now my home. Even if Queensland's forest reminds me of Venezuela's forest, there is still something missing in the landscape, the trees, the rivers and in the sea. By using a combination of mixed media, gouache, pencil, and crayons, I brought into paper those little memories I hold from my homeland Venezuela. And inside the illustration, a diverse range of fauna, and flora I don't see anymore but still safeguard in a memory-box inside my brain. With this illustration, I wanted to recreate not only those memories of the fauna and flora, but also capture a moment in my life as a child. A moment I still try hard to hold in my life as an adult, a explorer inner child. The one who still like to climb trees.
“Thoughts Nesting”
Medium: Oil, charcoal on canvas
Size: H 76 cm x W 60 cm x D 4cm
Artists’s Statement:
I paint and draw images of animals, human and otherwise, in close connection to remind us of our connection with nature.
If we don't have nature we don't have us.
The magpie goose (bimgay in Nwaigi up here in NQ) is the herald of both the early morning and the evening - times for remembering dreams and days gone by - memories, beautiful or vague, heavy or muddy.
“Memories: Fun Adventures - So Grateful”
Medium: Mixed Media on Canvas
Size: 43.3cm x 33.3cm frame in glass
Artist’s Statement:
A memory can take me into so many places, instantly. In this painting, this is exactly what I have created in this colourful art piece. I am demonstrating here that my memories have taken me into many bright orange roads and on my journey I have lived in many countries: Colombia, Mexico, Singapore, Indiana (USA), etc. All my lines, circles, dots, etc in my painting can represent either people, places, food, etc. This art piece is full of colours (full of life), which I treasure daily. A memory for me is a lovely thing to be treasured and I carry it in my heart. My memories are fun and I am so thankful that a flower is always blossoming in my heart. This art piece is one big amazing adventure in my life. Thank you for viewing my painting.
“Island Dreaming”
Medium: Acrylic and spray paint on canvas
Size: 40 x 50 cm
Artist’s Statement:
"I've spent a life chasing stories to tell when I am old" - Atticus
Island Dreaming... a story from living in the Whitsundays to pursuing a career in the city. Symbolic shapes and colours represent the personal growth of this transition and memories that were once so predominant disappearing as I learn the art of letting go. The pursuit of chasing stories; as I aspire to live life to the fullest - jam packing life with as many amazing memories as possible. Living in the Whitsundays being one of the most memorable.
“Kookaburra”
Medium: Oil on canvas
Size: Height 50 cm x Width. 65 cm x Depth. 5.5 cm
Artist’s Statement:
Sitting quietly here in the Whitsundays inspires me to paint. Listening to my favourite species, the iconic Kookaburra. With bright coloured oil paints, I like to capture the vibrancy of both the environment and wildlife of the Whitsunday region.
˜We danced from dusk til dawn hey Christine"
Medium: Mixed Media
Size: Height 150cm x Width 102cm x Depth 3cm
Artist’s Statement:
Memories.
Portraying a sense of freedom and the licence to be slightly naughty without guilt.
Experimenting with mixed media to build layers that evolves shape into human/animal form.
Focussing on dramatic colour and movement, leaving a negative space for contemplation.
'I am privileged to be an artist'
“Peace in Paradise”
Medium: Acrylic and collage on canvas
Size: 76.5cm x102cm x 3.6cm
Artist’s Statement:
I like to paint joyful, positive bright pictures that are connected through heart; this is a contrast as it includes a dark side, and news headlines have been placed to express the terror. September 11, 2001, is a powerful memory, a day filled with happiness, peace, and tranquillity. Unbeknown to the crew & guests on board a sailing vessel exploring the Whitsunday Islands, the USA was under attack. It was only when we got back into phone range 2days later that we heard the devastating news that New York had been attacked by terrorists. I remember this feeling of being safe & protected in a bubble, the world could have ended that day, and I would not have known.
“Summer Holiday”
Medium: Water Colour & ink
Size: 72cm x 88cm x 2.5cm
Artist’s Statement:
"Summer Holiday", painted in a style I refer to as "quirky" I feel this childlike style captures the essence of one of my favorite memories, a memory of a 10-year-old child, where Mum, Dad, and 6 kids piled in their Ford Falcon and drove along a winding gravel road to the beachside campsite at Hot Water Beach, New Zealand. The only reference in the painting to the location is depicted by the traditional digging of holes at the ocean edge for hot water. I wanted you to be able to look at the elements that create a story while you meander through the picture invoking your own memories of perhaps your favorite beachside campsite.
"OLD MAN MANGROVE -Thank you for the memories"
Medium: Oil on Belgian Linen Canvas
Size: 61cm x 45cm x 3cm
Artist’s Statement:
As a child, over 50 years ago, I remember playing in the small saltwater puddles near an emerging mangrove plant at Hydeaway Bay. Every year we would come and play and the mangrove was always there, it was always like coming home seeing our favourite tree waiting for us. Old Man Mangrove, as we called him, became bigger and stronger, protecting and providing a home and ecosystem for crabs, mud skips, fish, shells, barnacles, worms, birds and numerous other animals and plants. They all found shelter and food, in the gnarled and time formed root system and branches. The Old Man is irreplaceable to me as he brings back those wonderful, sun filled days, playing under his gaze.
“Lazy Heron”
Medium: Watercolour and pencil on paper on 300gsm hot press cotton paper
Size: 38.2cm x 68.2cm x 1.5cm
Artist’s Statement:
I recall a day
drifting with my old mate Ray.
Nothing much to say.
Nary a whisper.
An eternal book chapter,
timelessness itself.
Let the tiller go,
no use for the daggerboard.
Coast slides slowly by.
Jib telltales hang slack.
Gentle slop and slap. Full reach.
Lazy heron glides.
“Making Memories”
Abstract depiction of a Neuron.
Memory facts
The human brain has about one billion neurons inside of it, with each one capable of creating 1,000 connections to other neurons. The more you think about a memory (mental exercise) the stronger the connections between neurons locking it into the memory bank.
There’s virtually no limit to what your brain can remember. It can store about 2,500,000 gigabytes of data, about 300 years worth of television.
Memories begin as early as five months before birth prompting some parents to play music to their baby.
The brain prioritises information based on emotional intensity. Emotions along with sound, smell or sight can trigger memories.
Sleep is significant to memory. Sleep helps in the retrieval and storage of long-term memories.
“Incoming Tide”
Medium: Acrylic and Mixed Media
Size: 66.5cm Height x 104 Width x 4 Depth
Artist’s Statement:
I walk the foreshore at Slade Point Creek, Mackay most mornings. I love the everchanging tide and the detritus that the tide washes up for me to find each different day. The relentless incoming tide wipes away the memory of the previous tide. It rushes, circles, hisses, sings, seeps and creeps or meanders through the mangroves to rewrite anew.
“Shallow Reef Garden”
Medium: Acrylic and mixed media on canvas
Size: 63cm Height x 77cm Width x 4cm Depth
Artist’s Statement:
Shallow Reef Garden is based on my memories of walking tentatively over the reef at low tide.
This process of abstracting the image allows me to play with planes of colours and grants me to dream a little of the wonder of a coral garden with its mysterious coral bommies and uneven surfaces for fish to dive and hide under.
“Red Gum”
Medium: Wood Print
Size: Height: 60cm x Width: 84cm
Artist’s Statement:
'Memories' exist in the world around us, they transcend that of the human experience and are engrained in the natural world. The memories of our natural world are collected by our great Australian Bushland and can be found inside our incredible fauna, such as the River Red Gum. The rings of the tree ring hold a unique record of the harsh, yet beautiful Australian bush as the Red Gum provides us a glimpse into its memories as part of the land. The work expresses an open invitation to access these memories; encouraging the audience to intimately connect with a life that existed outside of our own lived experiences; witnessing "the heart of a trees very existence as you look along time" - Bryan Nash Gill.
“Dining in the Whitsundays”
Medium: Acrylic on paper
Size: 80cm x 90mm x 15mm Framed
Artist’s Statement:
Memories of fine dining with calming views across the Whitsundays
“Pandanus Ct”
Medium: Acrylic & Gouache on canvas
Size: 42cm h x 52cm w x 5cm d
Artist’s Statement:
A classic coastal beach scene from Caloundra, Sunshine Coast. Capturing the deep aqua & golden beach tones associated with the coast in a 1950's vintage style. The vintage style the artwork has been painted in aims to capture a style reflective of memories and times gone by.
Growing up on the coast, we regularly surfed, swam and walked around this headland and nearby street aptly named 'Pandanus Ct'. Now living in the city, I often reminisce my childhood and memories from growing up on the coast and look forward to the time I can escape the city and be back at 'Pandanus Ct'.
“Mostly Happy”
Medium: Personally handmade, hand-cut, hand dyed paper & hand ground glass
Size: 33cm high x 26cm wide x 4cm deep
Artist’s Statement:
Glass is such a reflective medium, perfect to explain my memories.
The increasing depth, & depth of colour, of each sheet of paper, & the shadows they cast, takes you further into the memories of my past.
This piece is hand-made, hand-dyed and hand-cut paper. Grinding my own glass enabled me to achieve the size grit, and the colours I needed to reflect my happy, sad, and sometimes black times.
My husband tells me my memory is terrible. That's true. My happy are mainly recent. It pleases me that my happy memories are stronger than the sad.
Deep down there, I know there are more memories. I'm not sure if I want to find them.
“Shuffling cones”
Medium: Oil on canvas
Size: 76cm (height) x 76cm (width) x 5cm (depth)
Artist’s Statement:
The memory game, cups and balls alluded to in my work, Shuffling cones possibly dates to Ancient Egyptian times. Clearly, this game is referenced in Hieronymus Bosch: The Conjurer 1475-1480.
Here, I play with the still life genre of western painting in my questioning of how to better live with the land. Three red nostalgic cups bond with banksia cones. Nature and culture coalesce in my mind evicting binary modes of thinking.
And memories are somehow evoked from this work. I think of myself and my two siblings being these creatures. I am the little one being silly at the front.
In enacting cultural games such as this, I feel connected to peoples across time and space.
Do you wonder where the ball lies?
“Psychedelia-Memories of mental disorientation”
Medium: Kiln formed Glass Bowl, hand made glass cane, murrini, sand blasted back
Size: 30cm x 30cm x 6cm x 2kg
Artist’s Statement:
Memories of mental disorientation.
Growing up in the 1960's as a child and talking to older teens and adults experience 'mental disorientation' with the effects of 'magic mushrooms'.
Getting an insight into their mind of what they were experiencing, the colours & patterns they described were very similar to the wall paper, curtains & fabrics that were in fashion in that era.
Using glass as my medium, I can control the patterns & colours and transform it into mesmerising patterns.
“In the mangrove forest”
Medium: Batik on canvas with stitching
Size: 120cm x 60cm x 4cm
Artists Statement:
This artwork is a salute to the mangroves of our coastline. "In the mangrove forest" was created to reiterate the value of mangroves as a thriving habitat for aquatic and bird life. When I reflect on visits to these habitats, it evokes memories of squishy, sticky, smelly, salty mud - an assault on my senses. I'm glad I now appreciate how intrinsic this element is to providing a healthy marine eco system for threatened and endangered species. The layers of stitching embellishing the batik artwork reflect a dynamic natural environment that is connected and multi- layered.
“Tutti Frutti Sunset”
Medium: Acrylic on canvas
Size: 20cm x 20cm x 3.5cm
Artist’s Statement:
Gelato coloured clouds above fields of sugar cane - these are my enduring memories of crisp winter afternoons around Mackay, as the sun sinks below the horizon.
“Afghan Girl”
Medium: Charcoal and mixed media on archival pigment print on paper
Size: 75 x 105 cm
Artist’s Statement:
I create with a method called 'painting with charcoal' using fine animal hair brushes I craft myself, plus charcoal powder, I can achieve a dramatic effect of contrasting light and shadow. I love using these ancient techniques to create realism, drama and depth in my works"
This work responds to the theme of memories - the eyes are the windows to the soul and to be human is to have a collection of memories that tell you who you are and how you got here.`
"Collection Of Past Memories"
Medium: WS oils on stretched linen
Size: 76x60cm
Artist’s Statement:
This still life depicts a small amount of memorabilia collected by my late husband & myself over many years. Memories of a wonderful life came flooding back as I recalled the
happy times spent fossicking. These special times are what memories are made of.
“Cockatoo In Blue”
Medium: Acrylic on canvas
Size: 61.5 cm high x 44.5cm wide x 4cm deep
Artist’s Statement:
I love painting and I am very proud when I am able to paint a subject from my own photos.
I have vivid memories of the day, camera in hand I spotted this handsome male Red Tailed Black Cockatoo. I took lots of shots that day and knew he would be great reference for a painting.
I have used a teal colour palette and more graphic style, without losing any of the detail that I love to paint. The vivid white background makes the bird come to life on the canvas.
“Paradise Found”
Medium: Oil on canvas
Size: 76.5cn high x 51cm wide x 4cm deep
Artist’s Statement:
I am a keen bushwalker and amateur photographer and this painting is made up of many reference photos taken on my trips into the rainforest.
My painting takes you to the heart of the rainforest, the sun is filtering through the canopy, the birds are screeching and cracking seed pods, water droplets are dripping from above and the tree frog is sheltering in the foliage. The abundance of life is a paradise.
I don't want my memories to just appear on canvas, so we must all work to preserve these pristine environments so the rainforest doesn't become just another memory.
“How Soon is Now?”
Medium: Handcut paper collage framed in recycled Tasmanian oak
Size: 60cm x 60cm x 5cm
Artist’s Statement:
Pourshafighi's meticulously handcut analogue paper collages demonstrate how life extends beyond its own subjective limits and often tells a story about the effects of global cultural interaction over the latter half of the twentieth century into the twenty-first century. Pourshafighi's collages are complex worlds constructed from recycled paper ephemera to address notions of sustainability, remembrance, temporality, and the fragility of life. These collage works can be considered 'visual remixes' or recontextualisations of popular images through an intersectional, queer feminist lens; a movement Pourshafighi considers a form of resistance against the 'logic' of destructive capitalist market systems. In How Soon Is Now? through the act of cutting up the work of British painter David Hockney, Iranian born Pourshafighi creates brand new work that challenges the binaries we continually reconstruct between Self and Other, between our own 'cannibal' and 'civilized' selves. How Soon Is Now? toys with the audiences past associations of Hockney's original source material whilst grimly warning us that if humanity stands passively by in the face of the catastrophic impacts of climate change, our irreplaceable natural environment could become little more than a memory.
“clouds”
Medium: porcelain
Size: 15cm x42cm x 25cm .5kg
Artist’s Statement:
The beauty lies in the formation of clouds in the sky. Made from porcelain. The clouds evoke a feeling of peacefulness as the memories of childhood take hold. Lying in the grass on a summers day looking up to the clouds and imaging them to be animals.
“Reined memories”
Medium: Clay
Size: Height: 50cm x Length: 50cm x Width: 24cm Weight: 10.6 kg
Artist’s Statement:
Often the value of a moment is only understood when it becomes a memory. It is vital to hold onto memories that are flying or fading away like birds, they scatter the good and the bad. Some wonderful things we forget and some terrible parts we simply have to endure. As humans we have the ability to rise above, follow our dreams, choose our path learning from our past. Our past is always "reined in" we decide which parts will fly with us as we move forward. Stoneware hand built sculpture, Decorated with oxides, stains underglazes and glazed.
“Echoes of a previous song”
Medium: Oil on timber
Size: 61cm high x 91cm wide x 2.5cm deep
Artist’s Statement:
The Whitsunday passage sees the annual migration of humpback whales travelling north to mate, this has been their path for generations. The memories of all the migrations that have happened in years past still linger in the songs that whales sing today. Like the islands themselves, these massive gentle creatures are part of the Whitsunday story.
Hunted to near extinction before the ban in 1963, humpback whales have made a miraculous comeback with their numbers now plentiful in our oceans.
Inspired by my love of animals, I use oils & timber to create detailed works exploring the relationships between species and their changing habitats.
By combining my naturalist style and quirky compositions I invite people to learn about vulnerable species and do more to protect them.
“Breaking Free”
Medium: Oil on canvas
Size: 76cm x 61cm x 5cm
Artist’s Statement:
Memories are the building blocks of our identity: early childhood, education, religious instruction, love life, children and career.... (for me that was 30 years as a film and television director)
Memories are, of course, both good and bad. Many memories, in fact a lifetime of memories, can haunt you and hold you back.
These phantoms of the past are constantly swirling in a vortex around us and need to be reevaluated, sorted and categorized according to where we find ourselves in our life today.
We need to let go of the stuff that's holding us back. My way of ridding the demons is through painting. Hence this self-portrait where I am reaching out for my brushes.
“Red-eyed Tree Frog”
Medium: Acrylic ink on canvas
Size: 90cm X 120cm X 4cm
Artist’s Statement:
My wife and I moved here to the Whitsundays from South East New South Wales.
We are both keen wildlife observers, and I remember thinking how exciting it was to discover new animals we haven't encountered before.
So how fantastic it was to discover a red-eyed tree frog in our backyard! I knew I just had to paint this iconic creature.
This will remain a special memory of our introduction to this beautiful place we now call home !
"Aunty Dot's Beach Hut" 1948
Medium: Acrylic on canvas
Size: 45cm x 60cm x 1.5cm
Artist’s Statement:
I have wonderful memories of my Aunt's Beach hut. At nine years of age it was quite the adventure to travel up to Proserpine on the steam train from Brisbane to holiday with her.
In those days Airlie Beach was known as Horshoe Bay.
The Beach Hut was constructed of corrugated iron with pushout corrugated windows and Shellgrit floor.
The Beach was coral and shellgrit. The water a pristine aqua blue. Access was a two wheel track from Cannonvale. Only Locals visited. No tourists. To my young eyes it was Paradise!
“Wonders of the Whitsundays - Coral Mysteries”
Medium: Acrylic and compound medium on canvas
Size: H 92cmx W 105cm x D 4cm
Artists Statement:
The everchanging mass of vibrant colours, textures, shapes, visual & hidden sea life of coral structures, reveal the mystery of the underwater world of the Great Barrier Reef.
Unforgettable memories are etched forever, of this amazing, breathtaking experience of exploring this natural wonder.
These memories ignited the idea of this artwork, however just like the reef, the outcome changes as the painting evolves.
Using acrylic on compound medium, with added textures, varied techniques and no rules. It is abstract, colourful, tactile and open to the individuals interpretation.
The more you look....the more you will find!!!
“I still think of you”
Medium: Acrylic, spray paint and resin on canvas
Size: H 150cm x W 100cm x D 3cm
Artists Statement:
Losing someone dear is never easy. "I still think of you" is a monochromatic paint and resin on canvas artwork which explores the positive memories of one's time together. Each organic rock shape reflects being skimmed over life's watery surface, ultimately sinking to the bottom of the pond. Playing metaphor for two people's special memory being formed and moments that will relished forever. Dream like blues allow viewers to positively reminisce over their memories of loved ones.
“Siana Davis (of Krave)”
Medium: Colour Woodblock Print on Paper
Size: 40cm x 30cm
Artist’s Statement:
In this piece I am reliving the happy memories and the joy of my first Brisbane Rock music gig during the 2020 COVID lockdown.
This piece is a portrait of one my favourite musicians from this show. Siana Davis of the up and coming Brisbane metal band Krave. In this work I am attempting to stir up fond memories within each individual viewer, of their on previous music gig experiences. It is a call back to those great nights of rocking fun!
"GUCCI"
Medium: Acrylic on canvas
Size: Height 100cm x Width 100cm x Depth 3.5cm
Artist’s Statement:
Carol Shannon an artist constantly seeking excellence in every new painting. A love of colour, pattern, design, natural subject matter, and often incorporating many floral elements into my completed canvas and always striving for the "perfect" painting which is my life long desire.
My painting is an emotional tribute to one of my beautiful companions"Gucci". I knew exactly what my ideas were for this painting as soon as I read the Brief of "Memories". Gucci and I loved visiting Balmoral Beach and walking along the promenade, then sitting on the wharf, relaxing by the water and watching fellow walkers with their dogs enjoying an outing in the sunshine.
This painting is developed using acrylic paint on canvas created with many variations of blue as the dominant colour. By incorporating blues, teals and aqua I have achieved a subtle background in a slightly abstract style by suggesting rolling waves and distant scenery. The focal point of course is the two central characters, also in a whimsical form. I enjoyed working through this painting and hope the viewer experiences my happy memories and artistic style.
“Whitsunday Nights”
Medium: Oil on canvas
Size: 100cm x100cm x 5cm
Artist’s Statement:
In the last 12 years I have spent a lot of time plein Air painting around Australia.
With the impact of covid I was made to look closer to home.
Appreciating what we have in our own backyard and what I have grown up around, I have sometimes taken for granted.
“Metamorphosis”
Medium: Sculpture
Size: H 40cm x B 45cm x W 2 kg
Artist’s Statement:
The piece represents the changing growth from early stage development - rebellious erratic behaviour-
And finally a mature adult.
The timber is from Bowen jetty renovations. 100+ years old.
The history of Bowen and our natural harbour has been very important for the development of Queensland.
Memories of boats - trucks- trains- workmen- fisherman- spectators for sailing regattas - all have passed over these timbers.
“SECURITY”
Medium: Sculpture
Size: H16cm x B 47cm x W .7kg
Artist’s Statement:
The wisdom of age and recall of memories growing up in Bowen.
Our family - neighbours - teachers - friends - bosses - mates etc all under the Bowen umbrella.
All theses people and many others gave us insight into honesty discipline respect to become team players.
The piece SECURITY reflects the standards that shaped our lives.
A beautiful place and quality of life.
“Kids of the Forest”
Medium: Mixed media on canvas
Size: 61cm x 92cm, less than 1cm deep
Artist’s Statement:
Smell is the sense most linked to memory.
Strong memories of deep green forests, the smell of saw dust, pine needles and fresh dirt resound in my childhood. Although these were formed in the dry forests of South Australia, my children are forming tree climbing memories of their own in the Whitsundays. Where the smell of the sea, fresh ferns and water are found.
This painting is aimed to evoke any viewers memory of their tree climbing and bush walking adventures. Memories are not just visual, but also the strong aromas and music-like sounds of life.
This is what I hope the simplicity of this painting portrays.
Nature is by far my favourite subject to paint. And in the Whitsundays there is so much!
“Gia road cane fire”
Medium: Acrylic on canvas
Size: Height 61cm x Width 91 cm
Artist’s Statement:
I have lived at Strathdickie on a mountain for 16 years.
When I first moved here,all the cane was burnt prior to harvest. I watched them all with my children, sometimes driving down if we saw them starting it.
It's now all just about stopped and the black snow is becoming a thing of the past.
Beautiful memories for us all.
“2 appear”
Medium: Acrylic paint on paper
Size: H 43 cm x W 30.7 cm x D 2.5 cm
Artist’s Statement:
Flipping through an old moleskin notebook I found the provocation for this artwork - some spontaneous pencil drawings I made on the 4th July, 2014 on a hot summer day in Ashland, Oregon. I witnessed the Independence Day Parade through the main street draped in red, white and blue bunting against a bluer sky. I remember everything was surprisingly neat, sun glinting off the instruments of the brass band, residents proudly lining the route waving American flags.
My pencil drawings from that day were a springboard to render, in paint, some impression of how that vividly remembered time folds into the present moment. Two human figures appear in visceral pink and red, sun and flag re-emerge as simplified motifs in an ambiguous interior landscape.
“GBR Green Sea Turtle”
Medium: Pointillism and Ink-wash on 310 GSM German etching fine art paper
Size: 90cm x 70cm
Artist’s Statement:
"The aim of art is not to represent the outward appearance of things, but their inward significance" - Aristotle. Art for me is an exploration of my nature and my part in nature, whether aware of it or not. We are all one with nature, as it is the centre of our consciousness. Memories, strong and hidden in the subconscious, reveal themselves in imagery, a vision, in paint and ink, with maybe a hint of dark reflections and echoes of the past, with a touch of experimentation, tributes and inspiration. Abstract shapes, repetitive structures, drawn and developed from the Celtic heritage. Use of pointillism embodies the holistic mythical and the intrinsic ideas associated with navigating the connections we have with the universe, nature and self.
“View from Magnetic Island 1972”
Medium: Oil on board
Size: 56 x 66 x 4cm
Artist’s Statement:
I have a strong connection to Townsville where I was born in 1968, despite moving from there at the age of 5. With distinct and fond memories of ferry trips to Magnetic Island, this work, whilst not representing actual topography, investigates my recollection of, and emotive responses to this place.
“Catseye Moon”
Medium: Acrylic on canvas
Size: Height: 44cm x Width: 59cm x Depth: 1.5cm
Artist’s Statement:
This painting is based off a memory I have of a full moon at Catseye Beach on Hamilton Island.
The Island is a special place to me as when I arrived and started working there I finally found a sense of place like I was there for a reason. It is a place where I found happiness within myself and by staying there I met my now husband.
One night after I had finished work I walked down to the beach. It was such a large moon that night and everything was glowing it looked so magical. I remember saying to myself after trying to take a picture which did not do it justice 'I'm going to paint that one day' and so now I have finally created 'Catseye Moon'.
“Sea Sublimity”
Medium: Oil on canvas board
Size: 40cm Diameter
Artist’s Statement:
The inspiration behind Sea Sublimity comes from the beautiful moon jelly tanks at the Monterey Aquarium, California. I was lucky enough to experience this exhibit pre-pandemic and was mesmerised by the delicate creatures bobbing and glowing in the viewer’s window in their own mysterious world. In the context of “memories”, I associate each of these little creatures I’ve painted with their translucent bells, as delicate memories that move fluidly with the potential to light up the mind as they come into focus.
“Then IV”
Medium: Mezzotint Print on paper
Size: 21cm x 26 cm
Artist’s Statement:
I love nursing the life of an image from nature out of its pitch black womb into hope - in the form of light the process has a primordial spiritual magic. The Mezzotint Print technique and tools have largely remained unchanged for the last 300 years .The process achieves tonality by roughening the metal plate with a metal tool, a rocker. The small teeth of the rocker create tiny burrs that hold ink during the printing process. The rocked areas that are left will produce a rich black print, areas that have been burnished (knocking the burrs down) will hold less ink, producing lighter values. This process produces an image with a high level of tonal richness.
“Venice From my Gondola, 2006”
Medium: Acrylic on Canvas
Size: 76 x 50 x 4cm
Artist’s Statement:
In 2006, I was an art student at University in Manchester studying glassblowing.The university had organised a trip to Milan for the students, but my friend and I decided to make our own trip to Venice, which was famous for it's glassblowing. When we arrived we made some friends at a bar, who said they knew a Gondolier who would take us for a Gondola ride for half the price, something we had previously decided was beyond our student budget. Our Gondolier's name was Angelo and he took us through the canals of Venice, finally reaching the larger canal around sunset. This is my favourite memory from this trip. I wanted to paint this memory to inspire anyone who hasn't been there to go to Venice as everyone should see it in their lifetime, and due to rising water levels, it may not be there forever.
“Memories II”
Medium: Acrylic on canvas
Size: 76cm x 76cm x 3.8cm
Artist’s Statement:
Memories have calming and soothing impact on us, they pull us into unconscious and away from real world as does this painting if you look at it a bit longer. This artwork takes you into intriguing world of optical illusions and optical art and it pulls you in. Blue and teal colour represents ocean colours of Whitsundays region. Particular effects are achieved by introduction of rhythmical repetitions and balanced contrasts in tone and colour. The use of light and tone makes it hard to interpret the painting in a conscious way. As Oscar Wilde said: "Memory is a diary that we all carry about with us". What is in your diary?
“Family beach day”
Medium: Acrylic on canvas
Size: 70cm height x 50cm width x 2.5cm depth (Frame included)
Artist’s Statement:
A day at the beach is always wonderful family bonding time. Feeling the fresh air, sand between our toes, smell of the ocean, shell collecting , sand castle building and in general relaxing, always leaves us replenished at the end of the day. The painting I've done is of a day out with my family enjoying all of the above and so much more. A memory I will always cherish .
“Remembering the once lustrous Great Barrier Reef”
Medium: Oil on canvas - texture rich impasto
Size: 32 cm x 45 cm x 5cm
Artist’s Statement:
The painting was created as a direct response to the degeneration and decline of The Great Barrier Reef. We need to acknowledge the importance of global warming and the rising sea temperatures, which have destroyed a once vivid and rich colour palette into grey. The painting reflects back to the once proud time the Reef was held in reverence due to its complexity in colours and radiance.
It is my hope that the painting sparks conversation around the swelling environmental topic, which, is bitter sweet in attracting tourism yet is a shadow of its former life through human's actions.